SOLD
Country of origin: France
Medium: Oil on panel
Signed: Signed lower left
Dated: c. 1900
Size: 8.50" x 11.00" (21.6cm x 27.9cm)
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
Oil on panel
£9,950.00
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Deux vieillards aux chatons
by Jean-Francois Raffaelli
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1915
Oil on panel
£2,650.00
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Le Café de la Place Blanche
by Elie Anatole Pavil
1903
Oil on board laid on canvas
£28,000.00
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Le Manege
by Nikolai Aleksandrovich Tarkhoff
c. 1930
Oil on board
£4,950.00
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Nu dans les nuages
by Albert BraÏtou-Sala
Henri Alphonse Barnoin, born on July 7, 1882, and died in Paris in 1940, is a French painter. Born in a milieu of artists, Henri Barnoin is the pupil of Luc-Olivier Merson and Émile Charles Dameron at the École des beaux-Arts de Paris. During the year 1909, Henri Alphonse Barnoin exhibited for the first time his works at the Salon de Paris and obtained an honorable mention. This will be followed by a silver medal in 1921 and a gold medal in 1935. He came to Concarneau in 1912, where he settled permanently for a part of the year from 1919. Having a shop on the Quai Pénéroff, he was the privileged witness of the animation of the port, that he keeps painting and then member of the group of Concarneau. The numerous French and foreign painters were attracted to this city and its region at the end of the nineteenth century and in the first half of the twentieth century. Also a pastel artist, he likes to play with light effects such as sunrises and sunsets (he is sometimes referred to as a post-impressionist painter), but also often represents groups of traditional dressed Breton women, fishermen and other port themes, Market scenes, processions, but also rocky coastal landscapes. He became an official naval painter in 1926.