SOLD
Country of origin: France
Medium: Oil on canvas
Signed: Signed & dated lower right
Dated: 1914
Condition: Very good original condition
Size: 23.00" x 32.00" (58.4cm x 81.3cm)
Framed Size: 35.00" x 44.00" (88.9cm x 111.8cm)
Provenance: Private french collection
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
Oil on panel
£9,950.00
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Deux vieillards aux chatons
by Jean-Francois Raffaelli
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1915
Oil on panel
£2,650.00
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Le Café de la Place Blanche
by Elie Anatole Pavil
1903
Oil on board laid on canvas
£28,000.00
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Le Manege
by Nikolai Aleksandrovich Tarkhoff
c. 1930
Oil on board
£4,950.00
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Nu dans les nuages
by Albert BraÏtou-Sala
Paul Villiers was the son of chemistry professor Antoine Villiers-Moriamé. Paul very early on chose to shorten his artist name. It was therefore under that of Paul Villiers that he received, upon leaving the School of Decorative Arts, during the award ceremony of July 27, 1903, chaired by the great statuary Auguste Bartholdi, the Biais prize (composition ornament in boxes), the Adrien Leroy prize (awarded to the student who has had the most nominations for 4 years), and the honorary prize (awarded to the student who has had the most nominations in the year).
He then studied with Fernand Cormon, painter and teacher, at the Beaux-Arts and in Cormon's Workshop, where artists including Toulouse-Lautrec and Van Gogh were being taught alongside Villiers.
He regularly attended the Cercle international des Arts at 91 boulevard Raspail, where he exhibited from 1909, within the Association of artists of Paris and the department of the Seine. It was there that Guillaume Apollinaire noticed him in 1910.
In 1911, Paul Villiers won first prize in a competition organized by the department store Le Printemps in association with the society for the encouragement of art and industry. The idea is to design a glassware service “of an exclusively modern inspiration”, which is praised by Maurice Dufrène: “The series [of] glasses is almost perfect, the easy decoration is flexible, simple, in place, the new and frank curves ”.
He exhibited at the Salon in 1909, 1910, 1911, 1912 (Plowing horses, end of the day, number 1857), 1913 (Shepherdess in the fields, number 1812). At the 1912 Salon, he received the Savoy Prize (Antoine Girard Foundation) which is part of the National Prize, as well as a third class medal.
Mobilized at the start of the war as a simple second-class soldier, he died on August 27, 1914 in Crévic (Meurthe et Moselle) at the end of the Battle of the Gap of Charmes.
In 1921, a posthumous exhibition was devoted to him at Bagatelle, as well as to Pierre Gourdault and André Martin-Gauthereau, other painters who also "died for France".
He appears, under his birth name Paul Edmond Villiers-Moriamé, at the Père Lachaise monument to the dead in the city of Paris inaugurated on 11 November 2018, and, under his name Paul Villiers,in the town of Grez-sur-Loing, where his family had a house.