Country of origin: France
Medium: Oil on board
Signed: Signed lower left
Dated: c. 1930
Condition: Very good original condition
Size: 6.50" x 8.50" (16.5cm x 21.6cm)
Framed Size: 11.00" x 13.00" (27.9cm x 33.0cm)
Provenance: Private french collection
1909
Oil on panel
£3,300.00
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The Artists Garden
by Henri Duhem
c. 1910
Oil on canvas
£23,000.00
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Provencher’s Mill – Moret-Sur-Loing
by Pierre Eugene Montezin
1947
Oil on canvas
£5,850.00
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La Plage a Soorts-Hossegor
by Maurice Brianchon
1910
Oil on board
£11,200.00
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Fillette à la poussette
by Victor Charreton
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1940
Oil on canvas
£6,950.00
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Route a Mougins
by Jules Cavailles
1896
Oil on canvas
£9,950.00
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Gathering Cockles – Gravelines
by John Brett A.R.A.
c. 1880
Oil on canvas
£6,200.00
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Fishing on a stream by the coast – Normandy
by Jean Baptiste Antoine Guillemet
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1937
Oil on original canvas
£9,950.00
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The Old Farmyard – Sørup
by Peder Mork Monsted
1903
Oil on canvas
£22,500.00
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Pont D’Austerlitz
by Nikolai Aleksandrovich Tarkhoff
1909
Oil on panel
£3,750.00
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Figures in a village
by Henri Duhem
Garabed Charles Atamian was born in the wealthy family of Mgrdich Atamian, a goldsmith and musician, and Mary Afker (Constantinople, Ottoman Empire). He was the second of five children and completed his early education at the Mkhitaryan Armenian School in Pera, Istanbul. Garabed then attended the local French school Lycée de Saint-Benoit. He continued his education at the Murad Rafaelian Armenian College of Venice, where he studied along with Edgar Chahine.
Upon returning to Istanbul Atamian opened his first exhibition, whis was a big success and he was invited to work at the newly open Yildiz Porcelain Factory of the Ottoman Court (from 1894 to 1896). He was appointed as the factory’s chief designer. A number of Atamian’s porcelain plates bearing his signature “Atam” are now exhibited at the Topkapi Palace (the main palace of the Ottoman Empire). Plates which he created include portraits of the sultans Mahmud II, Selim and Abdul Mejid.
The Hamidian massacre of Armenians made it impossible for Atamian to realise his career as a painter in Constantinople. He sought refuge in Paris in 1897 and predominantly worked and exhibited there. In Paris his name Garabed turned into Charles. Here Atamian exhibited at La Nationale from 1913 – 1942, at the Independent Gallery from 1938 – 1945, and he was made an Associate of La Nationale in 1927. In Paris he also illustrated nearly 150 books, including novels by such famous writers as Anatole France, Guy de Maupassant, Henri Bordeaux, Rene Bazin and created colored illustrations for the French translation of B. Litton’s “The Last Days of Pompeii”. He also created artworks for theatrical stage productions.
The first oil painting by Charles Atamian was exhibited at Salon d’Automne in 1903. From that year and onwards, he participated in various exhibitions with overwhelming success. In 1923 Atamian spent the summer in Saint-Gilles-sur-Vie in Vendée (France). It became a habit of his and he returned regularly until 1939. Many of his famous landscapes and marine artworks were developed precisely at this summer residence. Atamian is the painter of open air blinks. Few artists have such a feel of light as he has, it’s his privilege, the result of spontaneity and mastery… His soul is joyful and straightforward, emotional in front of the whole intoxication of light and color. His line celebrates light and truth and feels us with a joy for life…