Charles Garabed Atamian

( 1872 - 1947 )

Playing on the sands

Charles Garabed Atamian

( 1872 - 1947 )

Playing on the sands

  • Medium: Oil on canvas

  • Signed: Signed lower left

  • Size: 16.00" x 22.00" (40.6cm x 55.9cm)

  • Framed Size: 23.00" x 29.00" (58.4cm x 73.7cm)

  • Dated: c. 1930

£24,500.00
GBP

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Additional information

  • Condition: Very good condition

  • Provenance: Private collection - Luxembourg

About this painting

Two children on a beach at low tide — one bending to fill a bucket from a shallow pool, one standing watching, hand on hip, red bucket in hand. Behind them a third figure crouches at the water's edge, and beyond that the sea breaks in small green waves under a sky of extraordinary warmth. It is a painting of complete and unforced happiness, painted by a man who spent the best years of his life pursuing exactly this kind of light. The palette is the revelation. The wet sand at low tide becomes, in Atamian's hands, a mirror of the sky above — pinks, lavenders, warm ochres and the palest blues reflected in the shallow film of water, the children's shadows falling in deep cobalt blue across a surface that is more atmosphere than ground. The yellow dress of the bending child anchors the left of the composition; the white and pink of the standing girl the right. Between them, in the middle distance, the sea is a thin strip of green and white that barely separates the beach from the luminous horizon sky. Charles Garabed Atamian (1872–1947) was born in Constantinople to an Armenian family, studied at the Venice Academy of Fine Arts, became official painter to Sultan Abdul Hamid II, and fled to Paris in 1897 to escape the Armenian massacres. He spent the next two decades illustrating books for Anatole France and Guy de Maupassant before devoting himself to painting. In 1923 he discovered the Vendée coast — the Côte de Lumière — and it changed everything. Over the following decades he produced approximately 200 paintings of children on those beaches, exploring the quality of Atlantic light on wet sand with the single-mindedness of a painter who had found his subject and was not going to leave it. His work is held in the Musée du Luxembourg, the Petit Palais and the Musée de l'Armée in Paris, as well as in museums in Calais, Troyes, Switzerland and Belgium. The town of Saint-Gilles-Croix-de-Vie in the Vendée — where he worked for so many years — made him an honorary citizen in 1992 and named an avenue after him.

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    Charles Garabed Atamian Biography

    View full artist profile

    Garabed Charles Atamian was born in the wealthy family of Mgrdich Atamian, a goldsmith and musician, and Mary Afker (Constantinople, Ottoman Empire). He was the second of five children and completed his early education at the Mkhitaryan Armenian School in Pera, Istanbul. Garabed then attended the local French school Lycée de Saint-Benoit. He continued his education at the Murad Rafaelian Armenian College of Venice, where he studied along with Edgar Chahine.

    Upon returning to Istanbul Atamian opened his first exhibition, whis was a big success and he was invited to work at the newly open Yildiz Porcelain Factory of the Ottoman Court (from 1894 to 1896). He was appointed as the factory’s chief designer. A number of Atamian’s porcelain plates bearing his signature “Atam” are now exhibited at the Topkapi Palace (the main palace of the Ottoman Empire). Plates which he created include portraits of the sultans Mahmud II, Selim and Abdul Mejid.

    The Hamidian massacre of Armenians made it impossible for Atamian to realise his career as a painter in Constantinople. He sought refuge in Paris in 1897 and predominantly worked and exhibited there. In Paris his name Garabed turned into Charles. Here Atamian exhibited at La Nationale from 1913 – 1942, at the Independent Gallery from 1938 – 1945, and he was made an Associate of La Nationale in 1927. In Paris he also illustrated nearly 150 books, including novels by such famous writers as Anatole France, Guy de Maupassant, Henri Bordeaux, Rene Bazin and created colored illustrations for the French translation of B. Litton’s “The Last Days of Pompeii”. He also created artworks for theatrical stage productions.

    The first oil painting by Charles Atamian was exhibited at Salon d’Automne in 1903. From that year and onwards, he participated in various exhibitions with overwhelming success. In 1923 Atamian spent the summer in Saint-Gilles-sur-Vie in Vendée (France). It became a habit of his and he returned regularly until 1939. Many of his famous landscapes and marine artworks were developed precisely at this summer residence. Atamian is the painter of open air blinks. Few artists have such a feel of light as he has, it’s his privilege, the result of spontaneity and mastery… His soul is joyful and straightforward, emotional in front of the whole intoxication of light and color. His line celebrates light and truth and feels us with a joy for life…

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