SOLD
Country of origin: France
Medium: Oil on canvas
Signed: Signed lower right
Dated: c. 1935
Condition: Very good original condition - a few tiny marks
Size: 35.00" x 46.00" (88.9cm x 116.8cm)
Framed Size: 36.00" x 47.00" (91.4cm x 119.4cm)
Provenance: Private french colection
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1915
Oil on panel
£2,650.00
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Le Café de la Place Blanche
by Elie Anatole Pavil
1903
Oil on board laid on canvas
£28,000.00
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Le Manege
by Nikolai Aleksandrovich Tarkhoff
c. 1930
Oil on board
£4,950.00
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Nu dans les nuages
by Albert BraÏtou-Sala
c. 1975
Oil on canvas
£8,950.00
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Jeune bretonne dans l’atelier Dyf – Arzon
by Marcel Dyf
Though Edmond Heuzé was a student at the École Nationale des Beaux-Arts, he liked on numerous occasions to say that he was self-taught. The only traditions to which he laid claim were those of Montmartre, where he was born. He had several jobs none of which ever suggested that he would become a member of the Institut in 1949. He was a tailor, dancer, newspaper vendor and a ringmaster with a travelling circus, where he developed a taste for painting clowns. Later, he painted official portraits from members of the Académie Goncourt to the Army Generals. All his portraits are vividly rendered showing his somewhat cinematic preoccupation: though he sought to convey humanity, Edmond Heuzé began by meditating on and experimenting with geometry at the dawn of Cubism, of which he was one of the first discoverers. He was also a writer and published: Monsieur Victor one of the most precious accounts of the 'dangerous classes', to use Mac Orlan's expression. His works include: Scenes from the Living Dead at the Fratellini, Man with Bouquet, Miss Yelding. Portraits include: Porto et Geratto, A. Billy, A. Rouveyre, P. Léautaud and General de Lattre de Tassigny. He illustrated: The Soul of the Circus by Louise Hervieu, The Manor of Thann ( La Seigneurie de Thann) and A City in Alsace in the Middle Ages ( Une ville d'Alsace au Moyen Âge). He was named an Officier de la Légion d'Honneur.