( 1874 – 1946 )
Bords du Loing, Moret
Further Images
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
Bords du Loing, Moret thumbnail
MediumOil on canvas
SignedSigned lower right
Size24.00" × 32.00" (61.0cm × 81.3cm)
Framed Size32.00" × 40.00" (81.3cm × 101.6cm)
Dated c. 1925
ConditionVery good condition
ProvenancePrivate collection - France
About this Painting A quiet stretch of river in summer, a screen of tall trees along the left bank throwing their reflections into still green water, a village roof or two glimpsed through the trunks, and beyond, the bank opening out to meadows under a high sky of cream and pale blue. Montézin has built the whole picture from short, loaded, separate touches — flecks of sky-blue dropped into the dark foliage to let the light through, the water worked in horizontal dashes of green, violet and white, a scatter of pink and orange across the shallows at the lower right. The paint is dry and dragged, laid one stroke beside another rather than blended, so that the surface holds the light and the eye assembles the scene at a distance. The subject is almost certainly the Loing at Moret, where Montézin settled for a year after the Great War and to which he returned throughout his career. It is the same slow, tree-hung water that had drawn Sisley for the last twenty years of his life, and the Île-de-France rivers remained Montézin's central subject to the end: quiet banks, curtains of poplar and willow, and the light of the region moving on the surface. Montézin trained under Ernest Quost and was otherwise self-taught, exhibiting at the Salon from 1903. He received the Rosa Bonheur Prize in 1920, was made Chevalier of the Légion d'honneur in 1923, and in 1932 took the Medal of Honour at the Salon des Artistes Français — the first landscape painter to do so since Harpignies in 1897. He was elected president of the Salon jury, showed 237 canvases at the Galerie Charpentier that same year, exhibited at Durand-Ruel in 1938, and in 1941 was elected to the Académie des Beaux-Arts in the seat of Édouard Vuillard. He died in 1946 at Moëlan-sur-Mer, having cycled out to paint from nature with his canvases and paintbox on his back. His work is in the Petit Palais, the Musée d'Art Moderne de la Ville de Paris, and the museums of Dijon, Lille and Roubaix.
£13,950.00
GBP
Purchase This Work
Image download 1Image download 2Image download 3Image download 4Image download 5Image download 6Image download 7Image download 8Image download 9Download all Images

Be the First to Know

Love the work of Pierre Eugene Montezin?

Sign up to receive notifications when new artworks by Pierre Eugene Montezin are added to our collection.





    Pierre Eugene Montezin Biography

    View full artist profile

    Pierre Montézin's father, a lace designer, found him a job with a design company, where he soon devoted himself to murals. Strongly influenced by the theories of Impressionism, he later embarked on a career as an artist in his own right. In about 1903 he came into contact with Quost who made him work on his drawing and gave him a taste for painting. He enlisted in 1914 for the duration of the war, and took up painting again on his return. He lived in Dreux and Moret for a year, and spent his holidays there from then on. Montézin was made a Chevalier of the Légion d'Honneur in 1923 and in 1940 was elected a member of the Académie des Beaux-Arts, taking the place left vacant by Edouard Vuillard's death.

    Montézin submitted a work to the Salon des Artistes Français for the first time in 1893, but it was rejected, as were all his subsequent attempts for ten years. It was not until 1903 that he was accepted, winning a third-class medal in 1907 and a second-class medal in 1910. He also exhibited at the Salon des Artistes Français after World War I and was awarded the Rosa Bonheur prize in 1920. He was made a member of the society and honoured as hors concours, as well as being made a member of the committee and of the jury of the Salon des Artistes Français after having received their medal of honour.

    Montézin's painting was well-received, his technique - a distant descendant of Impressionism - captivating many by its virtuosity.

    Museum and Gallery Holdings

    Mannheim (Städtische Kunsthalle): Flowers
    Paris (MAMVP): Making Hay in Normandy (1940)
    Paris (Mus. du Petit Palais): Poplar Trees

    Response in
    3 Hours

    Our specialist team aims to respond to all inquiries within 3 hours during our opening hours.

    Google Logo REVIEWS.io Logo

    Client Satisfaction
    Guarantee

    Boasting over 200 five-star reviews across Google, 1stDibs, and REVIEWS.io.

    1stDibs Logo

    Platinum
    Seller

    Recognized as an experienced seller who consistently exceeds customer expectations.

    Member since 2016 with over 100 five-star reviews.

    Two Decades
    of Expertise

    Leighton Fine Art brings over two decades of experience in the fine art industry.

    Previously Sold Artworks by Pierre Eugene Montezin

    © 2026 Leighton Fine Art Ltd. All rights reserved.

    Registered in England & Wales · 08072141  ·  Terms & Conditions