SOLD
Country of origin: Switzerland
Medium: Oil on canvas
Signed: Signed & dated lower right
Dated: 1912
Condition: Very good original condition
Size: 20.00" x 24.00" (50.8cm x 61.0cm)
Framed Size: 26.00" x 30.00" (66.0cm x 76.2cm)
Provenance: We are thankful to the Association Marius Borgeaud for confirming the authenticity of this work and its inclusion in their archives.
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1915
Oil on panel
£2,650.00
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Le Café de la Place Blanche
by Elie Anatole Pavil
1903
Oil on board laid on canvas
£28,000.00
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Le Manege
by Nikolai Aleksandrovich Tarkhoff
c. 1930
Oil on board
£4,950.00
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Nu dans les nuages
by Albert BraÏtou-Sala
1920
Oil on board
£2,950.00
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Nature Morte
by Henri Lienard De Saint Delis
Born 21 September 1861, in Pully (Lausanne); died 16 July 1924, in Paris.
Painter. Portraits, genre scenes, interiors with figures, still-lifes.
Marius Borgeaud started out as something of a playboy, travelling the world and squandering his inheritance. He finally settled down in Paris, where he studied at the Institut Cormon, then at the Académie de la Grande-Chaumière, where he made the acquaintance of up-and-coming French painters. He exhibited at the Salon d'Automne in Paris between 1909 and 1923 and at the Salon des Tuileries in 1924. Examples of his work were shown in 2001 at La Cohue Museum in Vannes ( The Golden Age of Painting in Brittany ( L'Âge d'Or de la Peinture en Bretagne)) and retrospectives were held in 1994 at the Musée d'Art et d'Industrie in Roubaix and at the Fondation Giannada in Martigny (Switzerland).
His subject matter was drawn from Brittany, Spain and Switzerland (where he was obliged to return for the duration of World War I). His distinct personal style did not emerge fully until he was around forty years old. He proved to be an acute observer of family life and produced genre compositions which had an intrinsic and unusual dignity. He was content to focus on what were essentially banal subjects - a church interior, a town hall, a bistro or a corner shop - but he rendered them faithfully and without symbolic overtones. He also painted portraits and still-lifes.
Borgeaud painted in a style somewhat reminiscent of the Nabis (not least in his Breton canvases) and, more especially, his fellow countryman Félix Vallotton. In his series of interiors, he often elected to paint bedrooms in the form of still-lifes ( Red Bedroom, 1910). His most accomplished (and most widely acclaimed) work appeared immediately before his death in 1924.
Museum and Gallery Holdings
Lausanne (Cantonal MFA): Breton Woman Passing By
Vannes: Bistro; Red Bedroom (La Chambre rouge) (1910, oil on canvas)
Vannes (Collection du Conseil Général du Morbihan): Red Bedroom (La Chambre rouge) (1910, oil on canvas)