Eugene Galien-Laloue

( 1854 - 1941 )

Porte Saint-Denis

Eugene Galien-Laloue

( 1854 - 1941 )

Porte Saint-Denis

  • Medium: Gouache on board

  • Signed: Signed lower left

  • Size: 8.00" x 13.00" (20.3cm x 33.0cm)

  • Framed Size: 14.00" x 19.00" (35.6cm x 48.3cm)

  • Dated: c. 1915

£11,950.00
GBP

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Additional information

  • Condition: Very good condition

  • Provenance: Private collection - Paris

About this painting

The Porte Saint-Denis at dusk — the great seventeenth-century triumphal arch rising above the crowd, the sky behind it burning with the last light of the day, the boulevard below alive with figures, early motor cars, gas lamps beginning to glow. Eugène Galien-Laloue (1854–1941) painted this view with the draughtsmanship of a man who had been looking at Paris his entire life and who understood its architecture, its light and its street life as an insider rather than a tourist. The technique in a Galien-Laloue gouache is immediately recognisable: the architectural forms set down with structural precision — the arch, the buildings, the lamp standards — and against them, the crowd handled in rapid, dashed marks of colour that suggest movement and density without fixing individual figures. The light is the real subject. The warm amber and orange of the sunset sky, pushing through behind the arch and flooding the street with reflected warmth, the cooler tones of the blue-grey buildings on either side, the dots of gold from the gas lamps already lit in the gathering dusk — all of it handled with the confident shorthand of a painter who had mastered his medium completely. The Porte Saint-Denis was built in 1672 to commemorate the victories of Louis XIV. By the time Galien-Laloue painted it, it stood at the heart of one of the most animated quarters of Paris — the boundary between the Grands Boulevards and the older faubourgs, a place of constant movement and mixed company that suited him perfectly. Born in Paris in 1854, Galien-Laloue studied under Charles Laloue — taking his teacher's name as his own out of gratitude — and made his debut at the Salon des Artistes Français in 1877. He was selected by the French Republic to serve as a war artist during both the Franco-Prussian War and the First World War. His Parisian street scenes were eagerly collected by French connoisseurs and American visitors alike, and he remains one of the most sought-after painters of Belle Époque Paris.

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    Eugene Galien-Laloue Biography

    View full artist profile

    Eugene Galien Laloue

    Eugène Galien-Laloue was a skilled and productive artist. Particularly when working in gouache and producing small-scale works. He painted almost exclusively the most picturesque spots of Paris, notably the Grands-Boulevards. He enjoyed a considerable reputation in the early years of the 20th century. Painting in the happy pre-war period when the city was filled with omnibuses and carriages. His work evokes the atmosphere of turn-of-the-century Paris and retains a documentary value. He also painted landscapes of Normandy, Seine-et-Marne, Marseilles, Italy and Venice. In 1914 he began painting military scenes.

    Galien-Laloue is known to have used various pseudonyms, among which were J. Liévin and Liévin. This raises the question of whether the painter Jacques Liévin, to whom paintings on the same themes as those of Eugène Galien-Laloue have been attributed, was also merely a pseudonym of the latter. Jacques Liévin is said to have studied under Léon Germain Pelouse in the early years of the 20th Century. While Galien-Laloue is believed to have studied under one Charles Laloue. However, no evidence of the existence of Charles Laloue has been found. To add to the mystery, while Galien-Laloue was mainly a watercolourist and gouache painter, Jacques Liévin worked mainly in oil. It is, therefore, possible that Galien-Laloue used this false identity specifically for his oil paintings.

    Whether or not Jacques Liévin was real, the museums of La Rochelle, Mulhouse and Louviers attribute the following paintings - very reminiscent of Galien-Laloue's style - to him: Place de la République, Paris; Banks of the Seine; Quai Voltaire, Paris; Pont-Royal; Evening, Place de la Concorde; Oats at Angerville; Corn in Beauce.

    Meanwhile, Eugene Galien Laloue exhibited under his own name from 1877 at the Salon des Artistes Français in Paris.

    Museum and Gallery Holdings

    La Rochelle (MBA): Place de la République, Paris (gouache signed Liévin); Banks of the Seine - Quai Voltaire, Paris (gouache signed Liévin)
    Louviers (Mus. municipal)
    Mulhouse

    More on the French Impressionists.

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