Achille Laugé

( 1861 - 1944 )

Maison au bord de la route

Achille Laugé

( 1861 - 1944 )

Maison au bord de la route

  • Medium: Oil on canvas

  • Signed: Signed lower right

  • Size: 21.50" x 30.00" (54.6cm x 76.2cm)

  • Framed Size: 28.50" x 37.00" (72.4cm x 94.0cm)

  • Dated: c. 1909

£36,000.00
GBP

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Additional information

  • Condition: Very good condition

  • Provenance: Private collection - United States

About this painting

A house by the road — the most ordinary of subjects, the kind of scene that exists at the edge of every village in the Languedoc and that most painters would pass without a second glance. Achille Laugé (1861–1944) stopped and looked, as he always did, with the patient and exacting attention of a painter who had spent thirty years teaching himself to see colour as it actually behaves in the particular light of southern France. 1909 places this painting in the early years of the most liberated phase of Laugé's long career. He had spent his early years working in the disciplined Divisionist manner of Seurat and Signac — small, precisely placed dots of pure colour that merge in the eye at a distance — before moving into a crosshatching technique that gave his canvases a distinctive woven quality. By 1905 he had set both systems aside in favour of something broader and more direct: thicker paint, larger strokes, a handling that allows the physical weight of the pigment to carry the light rather than the theoretical organisation of colour. By 1909 that new confidence is fully settled. The brushwork in this canvas has the ease of a painter who no longer needs a system — who has internalised everything the Neo-Impressionists taught him and is now painting entirely on instinct. The warm ochres and dusty greens of the Aude countryside, the particular quality of southern light falling on whitewashed stone — these are the colours Laugé returned to throughout his life after leaving Paris for good in 1888. He exhibited at the Salon des Indépendants in 1894 alongside Bonnard, Toulouse-Lautrec and Vuillard. In 1968 he was included in the landmark Neo-Impressionism exhibition at the Guggenheim Museum in New York. His work is held in the Musée d'Orsay, the Musée National d'Art Moderne at the Centre Pompidou, the Musée Fabre in Montpellier and the Indianapolis Museum of Art.

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    Achille Laugé Biography

    View full artist profile

    Achille Laugé was born the same year as Bourdelle and Maillol, who would later become his friends. He trained to be a pharmacist in Toulouse, according to his parents' wishes, but also studied at the École des Beaux-Arts, where he met Bourdelle. In 1881 he was admitted to the École des Beaux-Arts in Paris to study in the studio of Alexandre Cabanel and Jean-Paul Laurens, where he met Maillol. He gave lodging to Bourdelle and did his military service in Paris. He left Paris in 1888 and from 1889 had a studio in Carcassonne, where he formed numerous friendships. Two years after the death of his wife, whom he had married in Cailhau in 1891, he himself died: the same year as Maillol.

    By the time he left Paris, Laugé had adopted the Divisionist touch championed by the Neo-Impressionists, and adhered to it more or less closely throughout his career. From 1905, in order to paint in situ, he procured a studio-caravan. For several years from 1916 onwards he had a base in Alet (Aude) and from 1926 spent the summer months in Collioure. From 1932 he had a studio in Paris and lived next door to his friend Bourdelle. In 1913 and 1926 he produced tapestry designs in response to commissions from the Gobelins tapestry manufactory.

    Laugé exhibited three paintings in Paris at the 1894 Salon des Indépendants and the same year featured in an exhibition alongside Bonnard, Maurice Denis, Sérusier, Roussel, Toulouse-Lautrec and Vuillard in Toulouse. In 1900 a large composition by him was rejected by the Société Nationale des Beaux-Arts, and in 1908 he was rejected by the Salon d'Automne. Laugé had his first solo exhibition in Paris in 1907, followed by many others (1911, 1919, 1923, 1927, 1929, 1930). He also showed collections of his works in 1926 in Toulouse and Perpignan. In 1968 he featured in the exhibition on Neo-Impressionism at the Guggenheim Museum in New York. Other retrospective exhibitions took place at the following: the Musée de Limoux (1958); the Musée des Grands-Augustins in Toulouse (1961); London (1966); New York (1967); London (1968); and Paris (1969).

    Museum and Gallery Holdings

    Carcassonne (MBA)
    Limoux (Mus. Petiet)
    Montauban (Mus. Ingres)
    Montpellier (Mus. Fabre)
    Paris (MNAM-CCI)
    Perpignan (Mus. Hyacinthe-Rigaud)
    Toulouse (MBA, Mus. des Augustins)

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