Gen Paul

( 1895 - 1975 )

Le Jockey

Gen Paul

( 1895 - 1975 )

Le Jockey

  • Medium: Oil on board

  • Signed: Signed lower left

  • Size: 16.00" x 11.00" (40.6cm x 27.9cm)

  • Framed Size: 22.00" x 17.00" (55.9cm x 43.2cm)

  • Dated: c. 1950

£7,950.00
GBP

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Additional information

  • Condition: Very good condition

  • Provenance: Private collection - France

About this painting

The racecourse gave Gen Paul (1895–1975) something the streets of Montmartre could not quite provide — pure speed. The jockey in full silks, crouched low over the neck of a horse at full gallop, is a subject that demands exactly the kind of painting he did best: gestural, distorted, charged with kinetic energy, the figure barely contained by the canvas edge. His handling of the subject is unmistakable. The brushstrokes follow the direction of movement rather than the contours of the figure — a technique that gives his racing scenes their particular sense of physical force. The colours of the silks are applied with the boldness of a Fauvist but organised with a compositional intelligence that Fauvism rarely achieved at this pitch of excitement. Some art historians have described Gen Paul as the first action painter, a precursor to the Abstract Expressionists of the 1950s, and in a canvas like this one can see exactly why — the mark-making is so immediate, so committed, that the subject and the handling become inseparable. The horse racing subjects belong primarily to his great period of the mid-1920s, when his fully expressive Expressionist style was at its most uncompromising. These are among the most sought-after works in his entire output — paintings that demonstrate the full range of a painter who could move between the gaslit pleasures of Montmartre and the speed and pageantry of Longchamp with complete authority. Gen Paul was born on the Rue Lepic in Montmartre in 1895 and lost his right leg to a First World War wound, returning to painting during his convalescence. Self-taught, he became one of the dominant figures of the École de Paris, exhibiting alongside Picasso, Braque and Soutine. He was awarded the Légion d'Honneur in 1934. On his death in 1975 he was described by the critic Jean-Paul Crespelle as the last great painter of Montmartre.

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    Gen Paul Biography

    View full artist profile

    Gen-Paul was born in the Rue Lepic, at the heart of Montmartre. His mother was an embroiderer, and his father was a café musician. Gen-Paul began painting from a young age. An apprentice interior decorative artist, he looked about him in the wealthy apartments where his work took him and observed the pieces collected by art lovers, and he learned anatomy by getting to know surgeons and going with them into operating theatres. He also attended the École des Beaux-Arts. He painted on discarded cigar boxes using coloured supplements from L'Illustration as models. This was in 1913. At the outbreak of World War I he volunteered for service and was wounded; a year later a second wound led to the amputation of his right leg. Back in Paris in 1916, he began to paint. His first oil painting, the Moulin de la Galette seen from his window, dates from 1916. His early works are not easy to identify, as he painted many views of Paris to satisfy customers who wanted a painting 'in the style of so-and-so'. In 1918 he first signed a canvas Gen-Paul. In 1920 he showed work at the Salon d'Automne, remaining faithful to this institution and to the Salon des Indépendants. His first solo show took place in the Galerie Bing in 1926. He illustrated several of Céline's books, including Journey to the End of Night, Death on Tick ( Voyage au bout de la nuit, Mort à crédit) in 1942. He also produced engravings, some of which were published as a collection entitled Views of Montmartre ( Les vues de Montmartre). When World War II ended he travelled frequently to the USA and New York. In 1952 the Galerie Drouant-David in Paris put on a retrospective dedicated to him. Gen-Paul did not exhibit much, had no dealer, and travelled frequently in France and Spain. Posthumous collective exhibitions include: Galerie Roussard, Paris (1999); Marcel Aymé and the Painters ( Marcel Aymé & les peintres) exhibition, Galerie Roussard, Paris (2002).

    Museum and Gallery Holdings

    Bern (Kunstmus.)
    Geneva (Petit Palais)
    Paris (MNAM-CCI)

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