Country of origin: Russia
Medium: Oil on board
Signed: Signed and titled lower left / stamped with the cachet of the artists studio verso
Dated: c. 1910
Condition: Very good original condition
Size: 13.00" x 16.00" (33.0cm x 40.6cm)
Framed Size: 22.00" x 25.00" (55.9cm x 63.5cm)
Provenance:
Private collection - France
Stamped with the cachet of the artists studio verso
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
1949
Oil on canvas
£13,500.00
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New York Skyline – December 1949
by Jacques Martin-Ferrieres
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1915
Oil on panel
£2,650.00
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Le Café de la Place Blanche
by Elie Anatole Pavil
1903
Oil on canvas
£22,500.00
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Pont D’Austerlitz
by Nikolai Aleksandrovich Tarkhoff
1944
Oil on canvas
£3,800.00
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Notre Dame et la Seine a Paris
by Jean Albert Pougny
In 1874, Konstantin Alekseevich Korovin enrolled in the Moscow Institute of Painting, Sculpture, and Architecture, studying under Vasilii Polenov and Aleksei Savrasov. In 1885, he made the acquaintance of the art patron and railroad magnate Savva Mamontov, becoming a member of the Abramtsevo colony and a close friend of Fedor Chaliapin and Valentin Serov. In the 1880s and 1890s, he worked as a stage designer for Mamontov’s opera productions such as Sadko, Khovanshchina, and Prince Igor, and in the late 1880s and early 1890s he travelled extensively in Europe, giving particular attention to French Impressionism, which left a profound influence on his painting. In 1894, with Serov, he travelled to the Far North of Russia, sketching and painting vernacular scenes, some of which he then adjusted to the interior design for Mamontov’s Northern Pavilion at the All-Russian Art and Industry exhibition in Nizhnii-Novgorod in 1896. In 1898, he joined the World of Art group and in 1900 was appointed artist-in-residence at the Bolshoi Theater, Moscow, working on a number of major productions such as Cesar Pugni’s ballet, The Little Hump-Backed Horse (1901). Thereafter, Korovin accepted numerous public and private commissions for operatic and dramatic productions, including Les Orientales (1910) for Sergei Diaghilev in Paris. From 1901 until 1918, he taught at the Moscow Institute of Painting, Sculpture, and Architecture and, after emigrating to Paris in 1923, worked for a number of émigré theatre companies but with little success. His last major association was with Marie Kousnezoff’s Opéra Privé de Paris from 1929 to 1930.
Korovin was one of Russia’s distinguished portraitists and stage designers. He made his debut as a theatrical painter in 1885 when he executed the sets and costumes for the production of Snegurochka at Mamontov’s private opera company (after Viktor Vasnetsov’s designs) and, thereafter, emerged rapidly as an independent stage designer – decorating 80 operas, 37 ballets, and 17 dramas during his lifetime. Korovin brought to the Russian stage a vibrancy that was lacking in the traditional imperial theaters, revolutionising the convention of stage design as an eclectic confection or dull ethnographical exercise by emphasising vivid colour and fast movement. Celebrated for the stylistic bravura and vivid palette with which he described both town and country, Korovin is also recognised as a perspicacious portraitist and as Russia’s premier Impressionist.
Museum and Gallery Holdings
Moscow (State Central Bakhrushin Theater Mus.)
Moscow (State Pushkin MFA)
Moscow (State Tretyakov Gal.): The Failure; Winter in Lapland; In the Extreme North; Idyll of the North; In Winter; Paris by Night, the Boulevard des Italiens (1908);The Cafe de la Paix; Nights; The Lilac Tree
Paris (MDA)
Paris (Mus. National AM, Centre Georges Pompidou)
St Petersburg (State Mus. of Theatre and Music)
St Petersburg (State Russian Mus.): Street in Vichy (1900)