SOLD
Country of origin: France
Medium: Oil on canvas
Signed: Signed lower right
Dated: c. 1915
Condition: Very good original condition
Size: 21.00" x 26.00" (53.3cm x 66.0cm)
Framed Size: 27.00" x 32.00" (68.6cm x 81.3cm)
Provenance: Private french collection
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
1949
Oil on canvas
£13,500.00
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New York Skyline – December 1949
by Jacques Martin-Ferrieres
1903
Oil on canvas
£22,500.00
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Pont D’Austerlitz
by Nikolai Aleksandrovich Tarkhoff
1944
Oil on canvas
£3,800.00
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Notre Dame et la Seine a Paris
by Jean Albert Pougny
1903
Oil on board laid on canvas
£28,000.00
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Le Manege
by Nikolai Aleksandrovich Tarkhoff
c. 1904
Oil on canvas
£8,950.00
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Demonstrators – Boulevard Poissonniere 1904
by Andre Devambez
1950
oil on original canvas
£4,350.00
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Quai des bouquinistes
by Jules Rene Herve
c. 1910
Oil on board
£34,000.00
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La Tour Saint-Jacques, Paris
by Konstantin Korovin
c. 1860
Oil on canvas
£5,750.00
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Figures in a street – Normandy
by Stanislas Victor Edouard Lepine
1903
Oil on canvas
£46,000.00
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Pont Neuf – Evening
by Achille-Emile Othon Friesz
c. 1950
Oil on canvas
£4,250.00
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L’Arbre de Noel
by Jules Rene Herve
1920
Oil on canvas
£49,500.00
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Boulevard De Clichy
by Albert Andre
Henri Alphonse Barnoin, born on July 7, 1882, and died in Paris in 1940, is a French painter. Born in a milieu of artists, Henri Barnoin is the pupil of Luc-Olivier Merson and Émile Charles Dameron at the École des beaux-Arts de Paris. During the year 1909, Henri Alphonse Barnoin exhibited for the first time his works at the Salon de Paris and obtained an honorable mention. This will be followed by a silver medal in 1921 and a gold medal in 1935. He came to Concarneau in 1912, where he settled permanently for a part of the year from 1919. Having a shop on the Quai Pénéroff, he was the privileged witness of the animation of the port, that he keeps painting and then member of the group of Concarneau. The numerous French and foreign painters were attracted to this city and its region at the end of the nineteenth century and in the first half of the twentieth century. Also a pastel artist, he likes to play with light effects such as sunrises and sunsets (he is sometimes referred to as a post-impressionist painter), but also often represents groups of traditional dressed Breton women, fishermen and other port themes, Market scenes, processions, but also rocky coastal landscapes. He became an official naval painter in 1926.