Country of origin: France
Medium: Oil on canvas
Signed: Signed lower left
Dated: c. 1900
Condition: Very good original condition
Size: 18.00" x 25.00" (45.7cm x 63.5cm)
Framed Size: 25.00" x 32.00" (63.5cm x 81.3cm)
Provenance: Private collection - France
1918
Oil on panel
£1,200.00
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Figures on a Path
by Henri Duhem
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1902
Oil on panel
£2,450.00
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The Artist’s Garden
by Marie Duhem
1909
Oil on panel
£3,300.00
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The Artists Garden
by Henri Duhem
1942
Oil on canvas
£4,950.00
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Nature morte au pot à pipe
by Jean Albert Pougny
c. 1910
Oil on canvas
£23,000.00
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Provencher’s Mill – Moret-Sur-Loing
by Pierre Eugene Montezin
c. 1910
Oil on original canvas
£5,950.00
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Nu avec des fleurs
by Georges D'Espagnat
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1947
Oil on canvas
£5,850.00
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La Plage a Soorts-Hossegor
by Maurice Brianchon
c. 1880
Oil on canvas
£8,400.00
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Une femme au crochet
by Norbert Goeneutte
1910
Oil on board
£15,500.00
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Fillette à la poussette
by Victor Charreton
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
Born 1842, in Castano (Ticino); died 1914, in Paris.
Painter (gouache), watercolourist, pastellist, draughtsman. Genre scenes, landscapes, landscapes with figures, mountainscapes, animals.
Chialiva was a pupil of Semper at the Zurich polytechnic, of Mancini at the school of art in Milan and of Ferdinand Heilbuth in Paris. In 1868 he was awarded first prize by the Mylins foundation for an animal tableau. He came to Paris in around 1872, two years later settling in Écouen.
Before 1874 he stayed in England on several occasions. Following his marriage, he settled in France and exhibited at the Salon, then at the Société Nationale des Beaux-Arts, of which he was an associate member, becoming a full member in 1912. He had also trained as an architect, but above all as a chemist, and it was this that enabled him to elaborate a technique for fixing the pigments in pastels. His knowledge of pictorial techniques enabled him to advise his friend, Degas, on the restoration of the Portrait of the Bellelli Family, which had been affected by damp. His meticulous, balanced compositions with a Corot-style depiction of light have a certain spontaneity.
Museum and Gallery Holdings
Paris (former Mus. du Luxembourg): Turkey Keeper
Rome (Gal. Nazionale d'Arte Moderna): L'Incontro
Sheffield: Landscape with Livestock Grazing