SOLD
Country of origin: France
Medium: Oils on canvas
Signed: Signed lower left
Dated: c. 1900
Condition: Unlined original canvas - some light crazing paint on lady dress
Size: 24.00" x 20.00" (61.0cm x 50.8cm)
Framed Size: 28.00" x 24.00" (71.1cm x 61.0cm)
Provenance: Private collection - Monaco
c. 1910
Oil on panel
£28,000.00
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Appareilleurs
by Maximilien Luce
1902
Oil on panel
£2,450.00
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The Artist’s Garden
by Marie Duhem
1909
Oil on panel
£3,300.00
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The Artists Garden
by Henri Duhem
c. 1910
Oil on original canvas
£5,950.00
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Nu avec des fleurs
by Georges D'Espagnat
1955
Oil on original canvas
£16,500.00
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Salon des arts menagers – 1955
by Jacques Martin-Ferrieres
1910
Oil on board
£11,200.00
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Fillette à la poussette
by Victor Charreton
1881
Oil on canvas
£79,500.00
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Le peintre en plein air
by Charles Theophile Angrand
1924
Oil on paper laid on panel
£5,950.00
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Dimanche
by Paul Elie Gernez
1932
Oil on board
£6,500.00
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Evening in Paris
by Louis Hayet
c. 1900
Oil on panel
£2,550.00
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Pierrot aux bonnet noir
by Armand Francois Henrion
1918
Oil on original canvas
£51,000.00
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Portrait of a Girl
by Alfredo Guttero
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
François Marius Valère-Bernard was a pupil of Alexandre Cabanel at the École des Beaux-Arts in Paris in 1882. He learned etching from Félicien Rops. In 1888 he settled in Marseilles where he founded the magazine Zou together with the Marseilles poet Louis Astruc. Valère-Bernard published several novels and collections of poetry, and taught aesthetics at the École des Beaux-Arts in Marseilles. He was made a Chevalier of the Légion d'Honneur in 1921.
As an artist, he brought Symbolism to every area of his activities; he worked for a chromolithographer, joined the Hydropathes (a group of artists, writers and performers) and practised occultism in Montparnasse. He published two works in 1895: Guerro, a collection of 14 etchings, and Le Christ aux Enfers. He painted Industry for the town hall in La Ciotat, a Life of St Lawrence for the church of St-Laurent, and a Life of St Roseline for the church of La Bédoule. He sculpted Corsican Mourner for the St-Pierre Cemetery in Marseilles, and a low relief in bronze for the entrance of the École des Arts et Métiers in Aix-en-Provence. He built a harmonium, for which Karol Bérard composed some colour-themed music. His son Casimir executed a bust of his father which is preserved in the Museon Arlaten in Arles.
He took part in group exhibitions including the Salon de la Société Nationale des Beaux-Arts, Salon de l'Association des Artistes Marseillais, the Société des Artistes Provençaux and the Salon de la Société d'Art Occitan. A major retrospective held at the Palais Longchamp in Marseilles in 1981 brought him to the attention of the public.
Museum and Gallery Holdings
Arles: Lady of the Bat, the Countess (La Dame del Rat-Penat, la Comtessa) (decorative panel); Entrance of Pierre I into Toulouse (decorative panel); Phryne (marble, statuette)
Marseilles (MBA): Head of Orpheus (marble and onyx, high relief); the complete collection of the Valère-Bernard's engravings
Marseilles (Mus. Cantini): Woman with Rock; Spring
Marseilles (Mus. du Vieux Marseille): Founding of Marseilles; Portrait of Anna Valère Bernard-Boudouresque; Self-portrait; Beggars in the Sun; Unloading Oranges in the Old Port