SOLD
Country of origin: Australia
Medium: Oil on artists panel
Signed: Stamped with the cachet of the artists estate - Looe, Cornwall
Dated: c. 1920
Condition: Very good original condition
Size: 9.00" x 6.00" (22.9cm x 15.2cm)
Framed Size: 15.00" x 12.00" (38.1cm x 30.5cm)
Provenance:
The artist's estate - Looe, Cornwall (stamped with cachet verso)
Walter Carter (Harrods) - Manchester
1909
Oil on panel
£3,300.00
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The Artists Garden
by Henri Duhem
c. 1910
Oil on canvas
£23,000.00
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Provencher’s Mill – Moret-Sur-Loing
by Pierre Eugene Montezin
1947
Oil on canvas
£5,850.00
View piece
La Plage a Soorts-Hossegor
by Maurice Brianchon
1881
Oil on canvas
£79,500.00
View piece
Le peintre en plein air
by Charles Theophile Angrand
1940
Oil on canvas
£6,950.00
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Route a Mougins
by Jules Cavailles
c. 1880
Oil on canvas
£6,200.00
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Fishing on a stream by the coast – Normandy
by Jean Baptiste Antoine Guillemet
1915
Oil on panel
£2,650.00
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The Great War – Soldier & horse on a road
by Andre Devambez
1937
Oil on original canvas
£9,950.00
View piece
The Old Farmyard – Sørup
by Peder Mork Monsted
1903
Oil on canvas
£22,500.00
View piece
Pont D’Austerlitz
by Nikolai Aleksandrovich Tarkhoff
1909
Oil on panel
£3,750.00
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Figures in a village
by Henri Duhem
1910
Oil on canvas
£21,500.00
View piece
La Moisson a Thomery
by Pierre Eugene Montezin
c. 1910
Oil on board
£6,450.00
View piece
Port d’Honfleur
by Henri Lienard De Saint Delis
David Davies studied art at the Ballarat School of Mines and Industries and the National Gallery School, Melbourne, under G.F. Folingsby (1887-1890). In 1885 he joined the Buonarotti Club which counted E. Phillips Fox, Frederick McCubbin and Tom Roberts among its members. In 1890 he travelled to Europe where he continued his studies under Jean-Paul Laurens at the Académie Julian in Paris. While there he met and married fellow student Janet Sophia Davies and together they went to live in the artist's colony in St Ives, Cornwall. They returned to Australia in 1893 and the following year he painted his well-known landscape Moonrise, which was exhibited at the Society of Artists of Victoria and became part of the permanent collection of the National Gallery of Victoria in 1895 (it now hangs in the Art Gallery of South Australia in Adelaide). This work was widely admired and demonstrated a new understanding of light and atmosphere. In subsequent years, many nostalgic landscapes seen at night, by moonlight or in mist were produced by what became known as the Melbourne School. In 1897 Davies and his family returned to Cornwall and he began exhibiting at the New English Art Club and the Royal Academy. From 1908 to 1932 the Davies lived in Dieppe on the Normandy coast before returning to Cornwall.
Group Exhibitions
1945, David Davies, Frederick McCubbin, Walter Withers, National Gallery of Victoria, Melbourne
2002, Nocturne: Images of Night and Darkness from Colonial to Contemporary, Mornington Peninsula Regional Gallery
Solo Exhibitions
1985, Ballarat Art Gallery (also presented at the National Gallery of Victoria in Melbourne and the Art Gallery of New South Wales in Sydney)
Museum and Gallery Holdings
Adelaide (AG of South Australia): Moonrise (1893, oil on canvas); St Ives Bay, Cornwall (1904, oil on canvas)
Ballarat (AG): Under the Burden and Heat of the Day (1890, oil on canvas)
Canberra (Nat. Library of Australia): Spencer Terrace, Melbourne (c. 1925, oil on canvas)
Melbourne (Nat. Gal. of Victoria): Ercildoune, near Ballarat (c. 1888, oil on canvas); A grey day (oil on canvas); Seascape (Hayle Bar) (oil on canvas); A Hot Day (1888, oil on canvas); Landscape (c. 1889, oil on canvas on panel); Evening, Templestowe (1897, oil on canvas); Twilight at Ivanhoe (oil on canvas)
Melbourne (State Library of Victoria): David Davies papers
Sydney (AG of New South Wales): From a Distant Land (1889, oil on canvas); A Summer Evening (c. 1895, oil on canvas on panel); Cornish village at sunset (c. 1905, oil on canvas)
Torquay (Torre Abbey Historic House and Gal.): Dieppe Fish Market and Quay (1911, watercolour)