Further Images
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
Vue d’Antibes avec les sommets enneigés du Mercantour thumbnail
High-resolution, for your own reference
( 1856 – 1910 )

“Vue d’Antibes avec les sommets enneigés du Mercantour”

Specifications

MediumOil on panel
SignedStamped with the cachet of the painter lower right
Size13.00" × 16.00" (33.0cm × 40.6cm)
Framed Size20.00" × 23.00" (50.8cm × 58.4cm)
Dated c. 1887
ConditionVery good condition
ProvenancePrivate Swiss collection - acquired in the 1980's
The authenticity of this work has been confirmed by Patrick Offenstadt
This work will be included in the supplement to the Catalogue Raisonne

Summary

A bank of roses and hollyhocks — pink, crimson and scarlet — tumbles across the foreground of a sunlit valley, painted close-to and loose, each bloom a dab of unmixed colour set against fresh greens. Beyond, the ground falls away past poplars and fields to a range of snow-capped mountains, the Alpes-Maritimes rising blue and violet into a high, breezy sky. Cross works here in the open air with a quick, sketching touch, leaving the warm ground of the panel bare at the edges, so the study keeps all the immediacy of a moment caught before nature — light, colour and air seized directly. Painted around 1886–88, the panel belongs to Cross's early maturity, before his conversion to divisionism, when he was already reaching for the luminous, high-keyed colour that would make him, with Signac, a leader of Neo-Impressionism and a decisive influence on Matisse and the Fauves. His work is held by the Musée d'Orsay and museums worldwide. A fresh and spontaneous plein-air study by one of the great colourists of his generation.
P.O.A

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    Henri Edmond Cross

    Henri Edmond Cross Paintings Henri Edmond Cross was born in Douai in 1856, on the borders of Flanders. His mother was English, and that northern European sensibility — cool, considered, quietly rigorous — never entirely left him, even after he fell in love with the…

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