Rene Seyssaud

( 1867 - 1952 )

Soleil couchant sur la mer – Agay

Rene Seyssaud

( 1867 - 1952 )

Soleil couchant sur la mer – Agay

  • Medium: Oil on canvas

  • Signed: Signed lower left and titled verso

  • Size: 20.00" x 29.00" (50.8cm x 73.7cm)

  • Framed Size: 28.00" x 37.00" (71.1cm x 94.0cm)

  • Dated: 1896

£24,000.00
GBP

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Additional information

  • Condition: Very good condition

  • Provenance: Private collection - Switzerland

About this painting

Agay sits in a bay on the Esterel coast between Cannes and Saint-Raphaël, where the mountains run red with porphyry rock and drop directly into the sea. At sunset that colour intensifies to something almost unreal — deep orange and crimson in the rock, the same tones broken and scattered across the water below, the sky above moving through registers that a less confident painter would hesitate to put down. René Seyssaud did not hesitate. The paint in this canvas has the directness and physical conviction of a painter who has spent decades looking at Provençal light with absolute attention. The palette — those specific warm tones of the southern evening, the way the cooler blues of deepening sky sit against the warmth of the horizon, the red of the Esterel rock carrying through into the water below — is not invented. It is recorded from a precise moment by someone who understood exactly what colour can do when it is pushed to its expressive limit without losing its truth. Seyssaud (1867–1952) was born in Marseilles and trained in the Provençal tradition before finding his own entirely personal voice. The critic François Thiébault-Sisson wrote of him in 1901: "Seyssaud, this solitary, unsociable man from Provence, has made himself, a long way from Paris, into a master." His dealer was Ambroise Vollard. He exhibited with the Salon des Indépendants, the Salon d'Automne and the Salon des Tuileries, and alongside Louis Valtat is described by art historians as a precursor of Fauvism — pushing colour to its expressive limits a decade before the movement had a name. He lived and painted until the age of eighty-five.

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    Rene Seyssaud Biography

    View full artist profile

    René Seyssaud was born to Vauclusian parents and spent his childhood near Ventoux at Villes-sur-Auzon in an ancestral farm, Pézet house. From a very early age he showed an aptitude for drawing and painting. He entered the École des Beaux-Arts in Marseilles, and from 1885 he went to the studio of Pierre Grivolas at the École des Beaux-Arts in Avignon. He was soon noticed by his teachers for the boldness of his technique and his colouring. He brought back paintings from periods in the Var and the Bouches-du-Rhône. In 1892 he painted a canvas in the Vaucluse, Chestnut Trees, using colours in their pure state with broad strokes and a surprising harmony, thus taking his place, along with Valtat, among the precursors of Fauvism. On the 27 April 1901 Thiebault Sisson wrote in Le Temps: 'We should give first place here to someone who is like no one else, who is a part of no group and who owes nothing to anyone except himself. Seyssaud, this solitary, unsociable man from Provence, has made himself, a long way from Paris, into a master.'

    His work is considerable, having an extraordinary unity of style, almost wild and brutish. It is admired for its richness of colour and for its violence. He also did many large decorative compositions. He settled at Villes-sur-Auzon where for 20 years he painted, while suffering from tuberculosis. In 1904, completely cured, he lived at St-Chamas near Lake Berry and led a hermit's existence dedicated to his art, to simple poetry and to his family. He refused all contracts offered and proposals made, among these an offer from Vollard. Late in life he won the Grand Prix d'Honneur des Provinces Françaises at the Menton Biennale in 1951. He was an Officer of the Légion d'Honneur.

    He took part in public exhibitions mainly in Paris: 1892, Salon du Champ de Mars, then at the Salon d'Automne, Salon des Tuileries and the Salon des Indépendants; 1937, Masters of Independent Art; 1951, Biennale de Menton. He has been represented posthumously in public exhibitions such as: 2001, Women in Provence and the Mediterranean ( La Femme en Provence et en Méditerranée), Fondation Regards de Provence, Chateau de Borély, Marseilles. He showed his works in solo exhibitions in Paris in 1897 at the Le Barc de Boutteville, from 1899 at the Galerie Vollard and also at the Galerie Bernheim. In 2003 the Musée Zierne at Martigues devoted a show to him under the title Rene Seyssaud (1867-1952): Another Nature.

    Museum and Gallery Holdings

    Marseilles (Mus. Cantini): St-Chamas, the Old Roofs
    Paris (MAM)
    Paris (Mus. du Petit Palais)

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