SOLD
Country of origin: France
Medium: Watercolour on paper
Signed: Signed and titled lower right
Dated: c. 1930
Condition: Very good original condition
Size: 7.50" x 10.00" (19.1cm x 25.4cm)
Framed Size: 10.50" x 13.00" (26.7cm x 33.0cm)
Provenance: Private UK collection
1904
Watercolour on board
£2,750.00
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The Flower Seller
by Victor Gabriel Gilbert
c. 1870
Watercolour on paper
£4,850.00
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Figures on a beach at low tide
by Eugene Boudin
c. 1890
Watercolour on paper
£2,450.00
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Views of Paris – Set of Three
by Luigi Loir
c. 1890
Watercolour on paper
£2,650.00
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Etude de travailleurs
by Henri Edmond Cross
1873
Watercolour on paper
£2,950.00
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Marseille – 18th Septembre 1873
by Johan Barthold Jongkind
c. 1865
Watercolour on paper
£24,950.00
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Sur la plage de Deauville
by Eugene Boudin
c. 1944
Watercolour and gouache on paper
£13,950.00
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Le Moulin de L’Abbaye – Preuilly sur Claisse
by Jean Dufy
c. 1925-1930
Watercolour & stencil on board
£7,950.00
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Femme avec un chien marchant sur la plage
by Kees Van Dongen
Painter (gouache), watercolourist, draughtsman. Local figures, local scenes, landscapes.
Ernest Pierre Guérin was a pupil of Lafont and Ronsin. He was a member-exhibitor with the Salon des Artistes Français in Paris, and joined the New South Wales Society of Artists, based in Sydney. He also exhibited with the Royal Cambrian Academy. He was invited by the French state to present his work at the Pavillon Marsan, in the Louvre. At the École des Beaux-Arts, Paris, he was awarded a silver-gilt medal in 1905, the Prix du Ministre in 1906, and the Medaille d'Excellence in 1907. The state acquired one of his works for the Musée du Luxembourg in 1931. In 2001, the Musée Départemental Breton in Quimper held a retrospective: Ernest Guérin: Images of Brittany ( Ernest Guérin: imagier breton).
Guérin was both a painter and manuscript illuminator whose works record the people, coastline, landscapes and legends of Brittany. The commentator Gustave Geoffroy has compared his mystical, craftsmanlike paintings to the work of the Italian Primitives, while at the same citing the 'sensitive, visionary realism and expressivity' of his landscapes, skies and figures. Anatole Braz describes the nostalgic quality of Guérin's Breton scenes, 'suffused with the poetry of times past'.
Museum and Gallery Holdings
Paris (former Mus. du Luxembourg)