Further Images
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
Bord de la Seine à Poissy thumbnail
High-resolution, for your own reference
( 1858 – 1941 )

“Bord de la Seine à Poissy”

Specifications

MediumOil on panel
SignedSigned lower right, dated and titled verso
Size6.50" × 10.00" (16.5cm × 25.4cm)
Framed Size11.00" × 14.50" (27.9cm × 36.8cm)
Dated 1895
ConditionVery good condition
ProvenanceThe collection of Frederic Luce
Wildenstein & Co. - New York - "Maximilien Luce, The Evolution of a Post-Impressionist" 1997 No.9 _ reproduced on the catalogue front cover and on page 93 (plate 43)
The collection of Gerard Stora - Vice President - Wildenstein & Co. - New York
This work is described and illustrated on Page 97 (No.258) of Volume III of the Catalogue Raisonne of Maximilien Luce by Denise Bazetoux

Summary

Sunlight filters through a screen of trees on the banks of the Seine at Poissy. Dark trunks in violet, indigo and russet rise across the foreground and frame a view of the river beyond, where the water glimmers in pale lilac, cream and blue. Wooded slopes on the far bank melt into a haze of rose, green and gold. The grassy bank in the foreground is a mosaic of vivid touches: acid yellow, emerald, turquoise and pink. Dappled light and cool shadow play across the ground, and feathery foliage at the top of the composition is shot through with daylight. Luce was one of the leading figures of Neo-Impressionism, a close friend of Seurat, Signac and Pissarro, and a committed anarchist. In 1894, the year before this work was painted, he was imprisoned and tried in the anarchist Procès des Trente before being acquitted. By the mid-1890s he had begun to loosen the strict dot of pointillism into the freer, broader dashes seen here, keeping the luminous logic of divided colour while giving his brushwork more energy and spontaneity. The result is a vibrant, intimate river landscape. Its provenance from Wildenstein & Co., one of the most distinguished dealers in French Impressionist and Post-Impressionist painting, adds to its interest.
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    Maximilien Luce

    Maximilien-Jules-Constant Luce was born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in…

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