Jeanne Baudot

( 1877 - 1957 )

Pommes et raisins sur la table

Jeanne Baudot

( 1877 - 1957 )

Pommes et raisins sur la table

  • Medium: Oil on canvas

  • Signed: Signed upper right

  • Size: 22.00" x 18.00" (55.9cm x 45.7cm)

  • Framed Size: 30.00" x 26.00" (76.2cm x 66.0cm)

  • Dated: c. 1920

£5,850.00
GBP

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Additional information

  • Condition: Very good original condition

  • Provenance: By direct descent from Jeanne Baudot to her godson Jean Griot

About this painting

Autumn fruit in a white compotier — red and russet leaves tucked among golden apples and dark grapes, a few pieces scattered on the cloth below, the background a soft wash of green. It is a still life of considerable feeling as well as considerable skill, the season present not just in the subject but in the whole mood of the palette. The colour works in a rich, deep key — the autumn tones of the leaves, the purple of the grapes, the warm golds and reds of the apples giving the canvas a weight and warmth that is almost Cézannesque in its seriousness. The compotier itself is painted with directness and economy: the white porcelain handled in broken strokes of cool blue and cream that describe its form without overstatement. The few apples and grapes on the cloth below are placed with the casual precision of a painter who has looked at this kind of arrangement many times and knows exactly where each object needs to be. Jeanne Baudot (1877–1957) was the only true pupil of Auguste Renoir — painting alongside him for years at Louveciennes, accompanying him to the South of France, becoming godmother to his son Jean and one of the closest witnesses to his late career. She published the most intimate account of his life and work, Renoir, ses amis, ses modèles, in 1949. A street in Louveciennes bears her name. This work carries the most direct provenance possible: passed from Jeanne Baudot herself to her godson Jean Griot — the same Jean Griot who preserved, unknown to the world for over a century, the Renoir painting L'enfant et ses jouets gifted to Baudot by Renoir himself, which sold at Drouot in November 2025 for well in excess of its estimate. A painting from Baudot's own hand, from her own collection, held by the man entrusted with Renoir's most personal gifts — a provenance of extraordinary rarity and intimacy.

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    Jeanne Baudot Biography

    View full artist profile

    Jeanne Baudot's father, Emile, was doctor to French artist Auguste Renoir's relatives when they lived in Louveciennes.

    In 1893, she met Auguste Renoir through her cousin Paul Gallimard, an art collector. Renoir travelled from his studio in Montmartre to meet the aspiring painter and give his opinion on her work. Renoir was so impressed with what he saw that soon she became his only pupil.

    Form 1897 to 1914, she lived at 4, Rue du Général Leclerc in Louveciennes, where Renoir had his workshop.

    She became the godmother of Auguste Renoir's second son, Jean Renoir, at the Saint-Pierre de Montmartre church, while Georges Durand-Ruel was the godfather. Throughout her life she stayed close to Jean Renoir, who became a film director. He wrote the preface of the exhibition catalogue of her retrospective in 1960 at Galerie Durand-Ruel.

    Auguste Renoir painted several portraits of Jeanne Baudot. They became great friends, accomplices and confidants. They painted side by side, in the studio of the painter, in the studio of Jeanne and outside, in the countryside, in Louveciennes, in the South and elsewhere, chatting cheerfully. He gave her advice, and shared his own concerns, such as those caused by his talks with the representatives of the State to make them accept the paintings bequeathed by Gustave Caillebotte.

    Maurice Denis painted Auguste Renoir and Miss Jeanne Baudot in 1906.

    Jeanne Baudot was a childhood friend of painter Julie Manet, the daughter of Berthe Morisot and Eugène Manet, and appears in many instances of Manet's diary.

    Her name was given to a street in Louveciennes.

    Lifetime Exhibitions:

    1905, Paris, Salon d'Automne.

    1906, Paris, Salon des indépendants.

    1925, Paris, Salon des Tuileries.

    1930, Paris, Galerie Dru from November to December 1930.

    1950, Paris, Galerie Durand-Ruel, from April 28 to May 15, 1950.

    Retrospective Exhibitions:

    1966, Paris, Galerie Durand-Ruel, Dame & Demoiselles – Blanche Hoschedé, Jeanne Baudot, Paule Gobillard, from June 16 to July 29, 1966.

    1960, Paris, Galerie Durand-Ruel, Rétrospective Jeanne Baudot. 1877-1957, from January 23 to February 13, 1960.

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