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Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
Le mas derriere les arbres thumbnail
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( 1834 – 1871 )

“Le mas derriere les arbres”

Specifications

MediumOil on panel
SignedSigned lower left and dated
Size4.00" × 11.00" (10.2cm × 27.9cm)
Framed Size9.50" × 16.50" (24.1cm × 41.9cm)
Dated 1856
ConditionVery good condition
ProvenanceGalerie Daber, Paris.
Collection Lucien Chevalier, Bois-Colombes.
Exhibited: Dans le cercle de Van Gogh et du docteur Gachet, Musée Daubigny, Auvers-sur-Oise, 30 March–28 September 2003, no. 39.
Recorded: in the Paul Guigou dossier, Musée des Beaux-Arts de Marseille (as Le Mas derrière les arbres, no. 16).

Summary

A line of tall trees screens a Provençal mas, the farmhouse glimpsed in warm ochre between the dark trunks, while a lone figure in a straw hat crosses the flowering meadow in the foreground. Guigou builds the scene with a loaded brush — the deep, sunstruck greens of the foliage flecked with light, the dry gold of the grass, the pale Midi sky scumbled above. For all its small scale the panel carries real weight and air: that hard, luminous clarity of Provence which was his lifelong subject. Guigou is the outstanding painter of Provençal light. A pupil of Émile Loubon in Marseille, he settled in Paris in 1862 and frequented the Café Guerbois with the future Impressionists, and is counted among the precursors of the movement. Dead at thirty-seven, he left a small and much-sought body of work, held by the Musée d'Orsay, the National Gallery of Art in Washington, the museums of Boston and Chicago, and throughout the museums of the Midi. A fresh, distinguished panel with a documented history.
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    Paul Camille Guigou

    Guigou came from a wealthy family and, after completing his secondary education in Villars-les-Apt, he was destined for the legal profession. While training in a legal practice, he gave in to his artistic bent for drawing and painting landscapes and was encouraged by Émile Loubon,…

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