Frederic Samuel Cordey

( 1854 - 1911 )

Coin de L’Oise – Pontoise

Frederic Samuel Cordey

( 1854 - 1911 )

Coin de L’Oise – Pontoise

  • Medium: Oil on canvas

  • Signed: Signed lower right and titled verso

  • Size: 18.00" x 22.00" (45.7cm x 55.9cm)

  • Framed Size: 24.00" x 28.00" (61.0cm x 71.1cm)

  • Dated: 1892

£8,950.00
GBP

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Additional information

  • Condition: Very good condition - two small patch repairs verso

  • Provenance: Private collection - France

About this painting

Pontoise and the valley of the Oise were the heartland of French Impressionism. Pissarro lived there for two decades. Cézanne worked alongside him. The light and landscape of the Oise — its broad river, its working countryside, its particular northern luminosity — runs through some of the most important paintings of the movement. When Frédéric Cordey (1854–1911) painted a corner of the Oise at Pontoise, he was painting on ground he knew intimately and in the company of the painters who had made it sacred. The brushwork here reflects a thorough absorption of the Impressionist method — paint applied with directness and confidence, colour used to render the specific quality of light on water and foliage without recourse to academic blending or finish. The palette has the freshness and tonality of the Oise landscape: the cool greens of riverbank vegetation, the reflected sky in the water, the warmth of sunlight filtering through. Cordey was one of the inner circle. A close friend of Renoir — who featured him in the Bal du Moulin de la Galette and La Conversation — he exhibited four paintings with the Impressionist group at the landmark fourth exhibition of 1877, alongside Monet, Renoir, Pissarro and Sisley. He lived near Pissarro at Neuville-sur-Oise and later at Éragny, painting the same countryside that Pissarro had made his life's work. Caillebotte wanted him back for the subsequent Impressionist shows. What makes Cordey particularly compelling today is his rarity. A man of independent means, he painted entirely for himself, set his own prices high enough to deter dealers, and exhibited only when he chose. His work never flooded the market. A canvas by Cordey is a genuine find — the work of a painter who stood at the centre of one of the greatest movements in the history of art and left almost no commercial trace of it.

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    Frederic Samuel Cordey Biography

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    Frédéric Samuel Cordey studied under Pils and Boulanger at the École des Beaux-Arts in Paris and also frequented Renoir's studio, where he posed for the figure one of the dancers in the latter's Ball at the Moulin de la Galette). In 1877, at Renoir's suggestion, he featured at the third Impressionist exhibition. From 1887, Cordey exhibited at the Salon des Artistes Indépendants. Cordey was also closely related to Guillaumin, Pissarro and Sisley.

    In 1881 he traveled to Algeria with his friend Auguste Renoir.

    In 1887 he exhibited at the Salon des Indépendants, and from 1903 onward at the Salon d'Automne.

    Cordey frequently painted landscapes of the River Oise near Auvers-sur-Oise, of Pontoise and of Provence. Additionally, he produced portraits and genre compositions such as After Lunch, At the Piano, and Oriental Woman.

    A retrospective exhibition of Cordey's work took place in the Galerie Choiseul in Paris in the winter of 1913 / 14.

    In February 1914 Alphonse Thalasso praised Cordey's landscapes of Éragny in "L'Art et les Artistes" and mentions his talent as a portraitist.

    In the preface to the catalog Gustave Geffroy wrote: "You can pretend not to know the work of Cordey because it was never seen in its entirety. The painter had his livelihood. It is said that one of them [an art dealer] came at the end of his life to him and asked him to give him all of his pictures. Cordey had nothing against it, but laid down such a high price, the price of his entire life, that the visitor did not insist further".

    In 2003, examples of his work featured at Between Heaven and Earth: Camille Pissarro and the Painters of the Oise Valley ( Entre ciel et terre, Camille Pissaro et les peintres de la vallée de l'Oise), an exhibition held at the Musée Tavet-Delacour in Pontoise to mark the centenary of the latter's death.

    Museum and Gallery Holdings

    Paris (Mus. d'Orsay): Madame Cordey at her Tapestry (1879, oil on canvas)

    Musée départemental de l'Oise, Beauvais

    Leeds Art Gallery, UK - Le chômage sur l'Oise

    Major exhibitions

    Les Peintres de l'Oise, Musée Talvet-Delacour at Pontoise, 2003

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