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Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
Bateaux à Antibes thumbnail
High-resolution, for your own reference
( 1892 – 1956 )

“Bateaux à Antibes”

Specifications

MediumOil on board
SignedSigned lower right
Size15.00" × 21.00" (38.1cm × 53.3cm)
Framed Size22.00" × 28.00" (55.9cm × 71.1cm)
Dated c. 1940
ConditionVery good condition
Provenance`This work is included in H. Berninger & J.-A. Cartier, Jean Pougny (Iwan Puni) 1892–1956, Catalogue de l'œuvre, Tome 2: Paris–Côte d'Azur 1924–1956, Peintures, Tübingen, 1992 (archive no. 647 bis).

Summary

The harbour at Antibes seen from the ramparts, its bright confusion of fishing boats and masts dissolving into a pale wash of sea and sky, a tricolore snapping above the quay at the left. Pougny paints thinly and rapidly on board, scumbling and scratching the pigment so the warm ground breathes through, the scene held in a high chalky key of turquoise, ochre and coral. It is a picture about light and air rather than incident — intimate, unforced, wholly of its moment. A founder of the Russian avant-garde who signed the Suprematist manifesto beside Malevich, Pougny settled in France and, from 1940 to 1942, worked at Antibes alongside Robert Delaunay, turning to the tender, Bonnard-like manner seen here. His work is held by the Centre Pompidou, the Musée d'Art Moderne de la Ville de Paris and MoMA, New York.
£11,750.00
GBP

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    Jean Albert Pougny

    Jean Albert Pougny, whose real name was Ivan Puni, was of Italian descent: his grandfather was the composer César Puni and his father was a violinist. He was attracted to art from an early age, but from 1900 to 1908 was educated in the corps…

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